Arya Tabandehpoor

Arya Tabandehpoor (b. 1985, Tehran, Iran) is consistently experimental in his approach to making art. His works, mainly presented in series, are not stand-alone pieces: they are to be perceived in connection to the larger context of his whole body of work; and, for that matter, their meaning does to come to the fore immediately, but should be experienced and explored through an extended process of reflection, be it the abrasive, tragic works of “Animals” and “Humans” series, or the ghostly “Sleeps” and “Slides.” Thus, instead of presenting the audience with preconceived, straightforward notions, Tabandehpoor wants the viewers to engage and participate without prejudice, for the objects or the materials are semantically loaded. In his practice, he is constantly aware of the link between the photographic tool and the subject of the photos. Tabandehpoor lives and works in Tehran, Iran.

Solo Shows

2019
“On Forgetting: Encoding, Storage, Retrieval”, Dastan:Outside Projects, Tehran, Iran
2018
“Corruption, Retooling, Connection”, Mohsen Gallery, Tehran, Iran
2017
“Skin, Flesh and Bone”, Mohsen Gallery, Tehran, Iran
2016
“Humans. Trees and Animals”, Mohsen Gallery, Tehran, Iran
2015
“Untitled”, Mohsen Gallery, Tehran, Iran
2010
“Contiguity”, Mehrin Gallery, Tehran, Iran

Group Shows

2020
“Factory 03”, Mohsen Gallery, Tehran, Iran
2019
“Back / Forward #2”, Espace Croisé, Roubaix, France
2019
“West of Where the Sun Goes Down”, No Man’s Art Gallery, Amsterdam, The Netherlands
2019
“Factory 02”, Mohsen Gallery, Tehran, Iran
2018
“Factory 01”, Mohsen Gallery, Tehran, Iran
2018
“Middle East Art and Cultural Associstion”, badguir, Paris, France
2017
“Possible World”, Curated by Nicolleta torcheli, Kunstraum Waschhaus postdom, Postdom, Germany
2017
“Limited Access Photo”, Curated by AmirAli Ghasemi, Aaran Projects, Tehran, Iran
2016
“Dorehami”, No Man’s Art Gallery, Amsterdam, The Netherlands
2016
“Prolongation”, Mohsen Gallery, Tehran, Iran
2016
“Group Show”, No Man’s Art Pop-Up Gallery, Tehran, Iran
2014
“Playground”, No. 6 Gallery, Tehran, Iran
2014
“Group Show”, Abi Gallery, Tehran, Iran
2014
“Zoo”, Curated by Iman Safaei, Shirin Gallery, Tehran, Iran
2012
“Binam”, Curated by Amak Mahmodian, Fotogallery Turner House, Penarth, UK

Art Fairs

2019
“UNSEEN”, Booth: Mohsen Gallery, Amsterdam, The Netherlands
2019
“PhotoFairs Shanghai”, Booth: Mohsen Gallery, Shanghai, China
2018
“Contemporary Istanbul”, Booth: Mohsen Gallery, Istanbul, Turkey
2016
“This Art Fair”, Booth: Mohsen Gallery, Amsterdam, The Netherlands

Projects

2021
“Industrial Heritage”, What remains implies an aspiration so rare these days. The relics indicate a most productive people, willful and determined towards development and prog- ress. Among the industrial objects that have survived, there lie stories that the viewer can decode and review. Memory is now damaged, and what one can do is to meticulously study the remains. In this project, one
can think of the factory as an infrastructure or a dynamic material that the artist has used to create art and fresh interpretations.
2016
“Across the Lines”, A multidisciplinary collective/collaborative/interactive public art project directed by Bita Fayyazi, executed within a period of two weeks in Niavaran Cultural Center’s open grounds, sponsored by the Iranian Urban Art House, L’Oreal Makeup, and SazzBuzz.
2015
“In Cahoots”, An Open Studio (collective / collaborative / interactive) art project, executed within a period of 4 months in Bita Fayyazi’s new workshop. As an attempt to turn the new workshop into a space where artworks could be displayed, I in collaboration with number of other artists (visual artists, non-artistically inclined contributors, sound artists, performance artists and anyone interested in doing art), were invited to join in to make artworks with the material available in the workshop. “In Cahoots” was put on view for a selected number of invitees for 10 days.
2014
“Dream Catcher*”, An interactive/collaborative project funded by Prince Clause Foundation in Amsterdam, instigated and created by Bita Fayyazi. I was one of the contributing artists. Dream Catcher was executed within a period of 5 months in collaboration with other artists, non-artistically-inclined participators, thinkers, writers, critiques and anyone from any walks of life who visited the venue.

* Dreamcatcher is a decorative Native American object in the form of a hoop and net with attachments such as feathers, horse hair, string, yarn and bead, traditionally believed to give its owner good dreams and “filter out” bad dreams.

Talks

2019
“Artist Talk”, Tehran Art University, Tehran, Iran
2019
“Artist Talk”, Espace Croisé, Roubaix, France
2017
“Artist Talk”, Tehran Art University, Tehran, Iran

Residencies

2017
VIR Viafarini-in-Residence, Milan, Italy

Publications

2018
“Corrupted Files”, Publisher: Mohsen Gallery, Iran
2014
“Imago Mundi’s art-book project commissioned by Luciano Benetton, Compiled by Bita Fayyazi”, Publisher: Fabrica (Communication Research Centre for the Benetton Group), Italy

Working Experience

2010-2017
Worked as assistant with Bita Fayyazi, Tehran, Iran